I’ve been pretty quiet recently for a number of reasons, but this new track by DORNIK (read it, note it down, then listen; it’s gona be big) has completely washed out the remains of my prolonged writing block. It has literally blown it/me away.
[Would just like to point out The Beatles mis-quote is 100% intentional]
The Verve - Lucky Man
‘I think I’m having a mid-mid life crisis,’ is what I tell most friends and family now that I’ve graduated and, it seems, accepting adult life is all I have to look forward to. Yes, I’m aware that there is no such thing as a “mid-mid life crisis” but what else do you call it when a twenty-something year old is struggling to come to terms with life and finding a job which correlates with the reason you went to University in the first bloody place?
*… AND BREATHE*
My topic for discussion this week is Luck which Richard Ashcroft in The Vervediscusses so well in the above video. The lyrics are what inspired me for this piece:
But I’m a lucky man
With fire in my hands
It made me question a few things. For instance; who can honestly define themselves as lucky? I’ve never really considered myself to be a fortunate person, especially because I don’t know anyone who works in journalism, or even know someone, who knows someone, who knows someone… [see where I’m going with this?]
I applied to a BBC Radio 6 placement, poured my heart into an application I deemed worthy for the internship but alas, received a rejection email. My first big rejection email of this whole process and this wasn’t even for paid work. I took the news pretty well considering I didn’t really expect to be chosen but seeing the ‘NO’ in its computerised flesh via email, hit me pretty hard.
Deflated
At this current point in my life, I track parcels for a living, put aside £100 a week for a life in London, and pester music magazines and websites in the hope I get a chance to work for them. I’m often certain that this industry builds its workforce on who you know and those who’re in the right place at the right time…
Saying that… I didn’t find myself in the right place when I was given a chance. I was at work; on my lunch break, taking the plunge and emailing a local newspaper my blog along with my aspirations to become a journalist. After not hearing from anyone for more than a few weeks, I decided that instead of crumbling and accepting defeat, I should email them AGAIN and AGAIN until I did… And I can finally say…
IT WORKED.
Unfortunately this local paper’s budget doesn’t allow me to write for them with a freelance wage but the response was even better than I could’ve imagined:
The editor complimented my work = BONUS
She showed enthusiasm in me writing for them to expand my portfolio = WIN:WIN
They asked me to pitch some ideas for their ‘Lifestyle Section!’
So what did I pitch?
Music is what I want to write about, however, it’s important when trying to get a career in journalism to not overly specialise in one area straight away… So I chose fashion. Vintage Fashion specifically, and before I knew it I had arranged with the editor to write a piece on the vintage retailers in my local area, meet up with a photographer, so in the next few weeks it can become a feature.
I will be in print again!
This is exactly the kind of opportunity I had been hoping for; yearning for; something to get my name further out there. I’m not saying that this one article is going to see my name in shining lights, but it’ll sure get itself in a frame at home and put me on a running, leaping start in the right direction, off of the crossroads and onto the career ladder.
Who knows, this might mean I’m quite lucky after all…
I love YouTube. Yes, it allows us to keep up to date with the latest internet sensation but what I love most is the sessions of aspiring, unsigned artists spilling out their musical desires to share their material with the world in the comfort of their own living room, a street, a park or woodland area. It’s sessions like these which have enabled me to discover a handful of my favourite singers/bands to date; The Villagers, Lucy Rose and Emily and the Woods, to name but a few.
I discovered ‘More Like Me’ last summer and it took me aback. It was the early hours and I was having one of my mad hunts for a track which gives you the same sensation of what I can only compare to a sugar rush; a dreamy haze of musical brilliance. Emily Wood may sing about heart break but she’ll be mending some with her candid chorus:
I wish I felt more, I wish I felt more like me.
Beautiful.
I stumbled across many of Emily Wood’s sessions, one in particular was ‘It Was Right There,’ where she sang by the River Thames, in her hometown for thewatchlistentell channel and the performance was almost angelic. (The video can be viewed above so you can see for yourself)
I can’t believe Emily and the Woods are still unsigned! It astounds me; But with a few more tour dates to get excited about and the increase in ‘likes’ on their Facebook page, I can’t imagine it staying that way for too much longer. Supporting Ben Howard, Ed Sheeran and Lucy Rose in the past can only work in their favour too. If we look at the recent success of Lucy Rose with her debut album, I can only expect the same for Emily.
If only my current funds would allow for two gigs in one week… I’m already seeing Wolf Alice on the 22nd of this month and just wish I could afford a trip to Brighton to see Emily and the Woods two days before in The Blind Tiger Club. I can’t stress enough how silly you would be to miss it! Yes, I know that makes me silly too (trust me; I’m beating myself up about it, not to mention my sorry state of a bank account) but if you can afford it, spend your pennies on something worthwhile.
My fingers are crossed for more tour dates this year and after their recent YouTube uploads of more mesmeric melodies such as ‘Lonely Handed’ and ‘Arrows’, I’m also hoping for another EP release…
Sometimes I struggle to understand with what reins the charts these days but artists like Emily and the Woods remind me originality does remain.
Forget about the Hounds of Love; it’s all about the Howls of Love as we welcome new North-London band Wolf Alice into our speakers and headphones.
I listened to the full 2mins and 58 seconds of ‘Fluffy’ and instantly needed more to fulfil the rapid growth of my Wolf Alice cravings. The four-piece prove that short bursts of guitar are not all they have to offer with ‘White Leather’ which lays out a stripped down 90’s grunge-esque melodic track alongside Ellie Roswell’s sultry vocals. In other words, its ace; Not what I expected to hear after ‘Fluffy,’ which shows the band are still at that early stage of experimenting, trying to figure out which musical route they want to go down. It shows their rawness and when you find a track in 2013 which sounds like it could’ve been from The Cure’s discography, you know you’ve hit the jackpot.
What I love even more about new and hidden bands are the prices; A ticket to see Wolf Alice at Camden’s KOKO this month just £5, but something makes me think I won’t be seeing them just the once.
If you haven’t already booked your tickets, I would now and fall in love with ‘Wednesday’ and ‘Leaving You’ as well as the previously mentioned tracks.
When an excitable buzz around follows a band and Radio 1 are finally waking up to their potential success this year, it is the prime time to see them,
Be that annoying person who says ‘Well I saw them first.’
The newest addition to my iTunes library this week is Andy Burrow’s ‘Hometown.’
You may recognize the slouchy-haired southerner bustin’ out beats with Johnny Borrell & co as well as later joining We Are Scientists. Now it looks as though Burrows has packed away his drum kit, swapped it for a guitar, a microphone and a spotlight; all set for solo stardom. He always hinted at his ability to string a harmony together, backing the vocals of Razorlight;but now, he’s taking centre stage with this beautiful track.
Recently performing on The Sunday Brunch, Burrows shows he doesn’t need to strut around shirtless on stage to be a genuine artist. All that is required are melancholic melodies and enlightening lyrics.
The tenacious trio are back! Rumours of their return began to circulate this month and it wasn’t long till their new release was gathering the attention of millions on the web. It’s been eight years since Knowles, Rowland and Williams have dominated the charts and ‘Nuclear’ is a clear indicator of how badly we needed them back on our i-Pods. It shows listeners worldwide that, yes; mainstream music is evolving, (unfortunately towards more ear-numbing, naff auto-tuning and cochlea-crunching corny chorals), but it doesn’t mean originality has to go out the window. Destiny’s Child are veterans of R ‘n’ B and this track shows this through their ability to adapt to the electronic enthusiasm which featured in the music scene a lot more in 2012, as well as providing us with what we’d missed about them most.
‘Nuclear,’ taken from the up and coming album Love Songs flaunts the girl group’s beautiful harmonies alongside a more synth-sounding background to prove they’re not stuck in the “noughties.” Their first performance of the reunion takes place at this year’s Superbowl half-time show. I’ll certainly be staying up for that; work will just have to be a sleepy blur…
Bloc Party - Truth
Taken from the album Four, ‘Truth’ finally re-introduces us to those guitar hooks that made me fall in love with Bloc Party all those years back. I completely understand a band’s thirst to musically mature but a part of me always held a torch for Silent Alarm, despite my love for ‘Kreuzberg’ and ‘Signs’ from later albums. I was more than pleased to hear ‘Truth,’ contained the layering of a guitar riff not too dissimilar from ‘So Here We Are’ along with a wash of low-toned vocals which tied together the sonorous sounds of Silent Alarm from the past. The track evokes nostalgia; Okereke and his band mates searching for what was previously overlooked by ‘Flux’ and ‘One More Chance’, which promoted a dance dimension to their music, causing their split.
‘Truth’ reminded me of a sweaty, incredible, air tight Alexandra Palace gig I went to in 2007, illustrating that this could all be within my grasp again this year and I can hardly wait.
Disclosure – White Noise ft. AlunaGeorge
A wave of excitement spread across the social networking spectrum last night when Zane Lowe unleashed the highly anticipated newest release ofDisclosure. After recent success with ‘Latch ft. Sam Smith’ and up and coming tours selling out, it was no surprise there would’ve been an eager wait to find out what this dynamic duo could produce next. EPs were their calling but it finally looks as though Disclosure are polishing up their debut album, set for release in March this year.
On this track, two became four as they teamed up with AlunaGeorge who were recently nominated for the Sound of 2013 poll. Surely this only meant one thing: electronic excellence. ‘White Noise’ combines sounds from a 90’s rave as well as UK garage, so don’t be completely surprised if you see a lot of Bez dance-a-likes in the crowd. Deep house hooks burstin’ in the background, you’ll stop dancing before your feet do.
When watching the 6 o’ clock news, I was most disappointed to find that HMV was the next business to go under administration. It brought me to the horrible realisation that this will now be the start of my nightmare; the “experience” of music is no more. All of the music in the world can be found at the click of a mouse… but where’s the fun in that?
The record store is rapidly transforming into a concept, losing its tangibility. That image created in Empire Records where its quirky employees who are more than happy to drown you in potential purchases, after you lock yourself away to sit in a booth for hours, listening to a CD which will sure to be life changing, is all just a memory now. Hours spent scouring through the alphabetically assembled music world, fingers flying, minds boggling, trying to find that record your friend was telling you about…all gone. ‘Cos let’s face it, why spend hours in a shop when you can sit in bed and buy your whole music library in a matter of minutes? I think that’s the point… the internet is taking over from everything; retailers are suffering as the general public are finding that doing their shopping online is much more convenient. But whatever happened to the ‘Try before you buy’ policy?
We are now faced with the inevitable outcome that the record store can’t quite compete with the iTunes store. We may not be able to feel the CD sleeves between our fingers and admire the artwork but the internet provides endless musical needs for anyone: Spotify and Youtube to name but a few music sites (even my blog may be seen as unhelpful to the music retailer!) It won’t be long till I’ll be finding myself scurrying through survivor stores in Brighton Laines and other niche markets, stocking up on vinyls and CDs, not just for hibernation, but for the rest of my life… How long will it be before these businesses crumble under the high technological pressure?
My little nephew, at the age of 2 can already begin to master the iPad… He, like the majority of us, is a member of the digital age. (Just so you know, I’m not included in the ‘us’) I’m a 21 year old, born in the 90’s with an 80’s film star trapped inside of me. The decade where vinyls were slightly redundant but still celebrated, CDs were the new, up and coming invention and cassettes were the norm is somewhere I want to be and crave for it the more I watch The Breakfast Club…
So where’s that DeLorean, Doctor Emmett Brown?
DAMN THE MAN. SAVE THE EMPIRE [HMV]
Empire Records… Saving a record store by having a rooftop gig; If only it was that simple. XO
